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At 12, he created his own lab in a cupboard in the family apartment.  At 18, he knocked on the door of a famous press agency, DALMAS.\u003c\/span\u003e\u003c\/small\u003e\u003c\/p\u003e\n\u003cp data-key=\"p70Pg\" class=\"small-text\"\u003e\u003csmall\u003e\u003cspan\u003eWhile continuing his electronics studies, which only half interested him,  equipped with his Rolleiflex camera, he and photographer Daniel Angéli covered arrivals and departures of VIPs at Orly.\u003c\/span\u003e\u003c\/small\u003e\u003c\/p\u003e\n\u003cp data-key=\"4WqNM\" class=\"small-text\"\u003e\u003csmall\u003e\u003cspan\u003eAt 19, approached by the company \"Paris Télévision\", a satellite of the  RTF, he abandoned photography in 1963 to devote himself to cinema and the  nascent television industry where everything was yet to be invented.\u003c\/span\u003e\u003c\/small\u003e\u003c\/p\u003e\n\u003cp data-key=\"zC7qO\" class=\"small-text\"\u003e\u003csmall\u003e\u003cspan\u003eWith 50 years of experience in both film and television as  a director of photography,  his passion for still images has resurfaced. Possessing a curious and  creative mind, he constantly explores new techniques.\u003c\/span\u003e\u003c\/small\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/www.instagram.com\/JACQUESBOUMENDIL\" target=\"_blank\"\u003ewww.instagram.com\/JACQUESBOUMENDIL\u003c\/a\u003e\u003c\/p\u003e","products":[{"product_id":"david-gilmour-and-fender-pink-floyd-live-at-pompeii-1972","title":"David Gilmour and Fender (Pink Floyd Live at Pompeii) 1972","description":"\u003cp\u003eRebel Lens Fine Art Prints\u003c\/p\u003e\u003cp\u003eEach print is signed and numbered by the photographer at the time of editioning, a mark of provenance that travels with the piece forever.\u003c\/p\u003e\u003cp\u003eRebel Lens prints are produced either in the artist's studio or directly by Rebel Lens, which maintains these standards across every edition. 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